Scott talks about some of the difficulties he's faced getting his creative work into production in the article.
'There was the battle to get Separation City made: "they blocked it and blocked it and blocked it and blocked it." And there was the play he wrote earlier this decade about his childhood, The Daylight Atheist, which was rudely rejected by Circa Theatre. Scott went ahead and organised a production himself and it opened to ecstatic reviews in Wellington, and again in Auckland, Sydney, Melbourne and Brisbane.'
So there we have it - Scott's long shadow (see previous post). And the gutsy determination to push back against all the obstacles which people put in the way. Tom is a funny guy with an original voice, and I look forward to seeing the movie. Meanwhile, we've got one of our own which needs making...
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